Calendars

In the practice of the Art of Visual Poetry the EVERYDAY, in its infinite facets, is elected a protagonist when it turns into POETRY. 

In this direction the Calendars could not escape me which I have kept for over twenty years. 

Their graphic structure, the alternation of numbers, their physicality, the empty spaces become a page waiting to be violated by words, writings and more. 

The approach to such an object was fulminant. 

After so many years of decanting the Calendar, in recent times, he has become the absolute protagonist of my work. Topics are addressed distributed on different levels of poetic intentions that solicit various hypotheses of events. There The word becomes a stimulating element and unfolds around itself, a generator of reflections and situations following a project in progress. 

The Calendar Page is happy. She withdrew to its natural end of object which, having completed its monthly or annual task, is destined for basket. She has found new life, a protagonist dimension that comforts and consoles her. Not lives in vain! 

It is at the center of a role that positions it in an interesting, stimulating territory, absolute and permanent. He is no longer a collector of words and scriptures but a testimony of possibilities of cultural reflection.

 It will end up in a frame, chosen by opera and it will be the redemption of its role for her occasional. Not all pages of the calendar will have this benevolent fate, others – silent and envious – will witness the success of the sisters, certain in any case of being able to change their own role.

Humble, in a corner of the house, aware of their destiny, they carefully observe theirs travel companions, placed in a frame on the wall … happy to exist and resist over time thanks to GINO GINI.

A number of pieces from this period is  available to purchase directly from the artist. Please enquire within to discuss your preferences and needs.